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Creative Production and Management in the Performing Arts : Modus Operandi / Vânia Rodrigues.

By: Material type: TextTextSeries: Routledge Advances in Theatre & Performance StudiesPublication details: London : Routledge, Taylor & Francis Group, 2024.Edition: First editionDescription: 1 online resource (xx, 268 pages)ISBN:
  • 9781003442530
  • 1003442536
  • 9781040040317
  • 1040040314
  • 9781040040355
  • 1040040357
Subject(s): DDC classification:
  • 791 23/eng/20240507
Online resources:
Contents:
1. Production and Arts Management: Emergence andProfessionalism2. Artists, Producers, and Managers: Anatomy of a Relationship 3. Modes and Models of Work in the Performing Arts 4. A Pivotal Point for Cultural Management
Summary: This volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance - through the lenses of creative producers. This book suggests that social protection failures, longstanding institutional shortcomings, and the dilemmas of social and environmental sustainability are pushing arts management and production modi operandi towards a review of its expansionist assumptions and managerial hyper-productivist processes. By documenting singular 'counter-management' experiences in Portugal, Belgium, France, and Brazil, this study makes a strong claim for a reassessment of the role of producers and art managers as reflective practitioners and as pivotal elements towards more sustainable artistic practices. This study will be of great interest to students and scholars in theatre and performance studies, policymakers, and cultural professionals.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 791 (Browse shelf(Opens below)) Available EBK000055139
Total holds: 0

1. Production and Arts Management: Emergence andProfessionalism2. Artists, Producers, and Managers: Anatomy of a Relationship 3. Modes and Models of Work in the Performing Arts 4. A Pivotal Point for Cultural Management

This volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance - through the lenses of creative producers. This book suggests that social protection failures, longstanding institutional shortcomings, and the dilemmas of social and environmental sustainability are pushing arts management and production modi operandi towards a review of its expansionist assumptions and managerial hyper-productivist processes. By documenting singular 'counter-management' experiences in Portugal, Belgium, France, and Brazil, this study makes a strong claim for a reassessment of the role of producers and art managers as reflective practitioners and as pivotal elements towards more sustainable artistic practices. This study will be of great interest to students and scholars in theatre and performance studies, policymakers, and cultural professionals.

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