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John Zorn's file card works : hypertextual intermediality in composition and analysis / Maurice Windleburn.

By: Material type: TextTextSeries: Ashgate studies in theory and analysis of music since 1950Publication details: Abingdon, Oxon ; New York : Routledge, 2024.Edition: [1.]Description: 1 online resourceISBN:
  • 9781003321361
  • 1003321364
  • 9781003853565
  • 1003853560
  • 9781003853596
  • 1003853595
Subject(s): DDC classification:
  • 780.92 23/eng/2023
Online resources:
Contents:
The File Card Work and its Model Listener -- The Hypotexts of Sound Blocks -- Hypertextual Hermeneutics -- From Metatext to Hypertext via Uncreativity.
Summary: "This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the 'open work' concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung. This book will appeal not only to those interested in Zorn's music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music"-- Provided by publisher.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 780.92 (Browse shelf(Opens below)) Available EBK000054803
Total holds: 0

The File Card Work and its Model Listener -- The Hypotexts of Sound Blocks -- Hypertextual Hermeneutics -- From Metatext to Hypertext via Uncreativity.

"This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the 'open work' concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung. This book will appeal not only to those interested in Zorn's music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music"-- Provided by publisher.

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