TO REPAIR THE WORLD [electronic resource] : zelda fichandler and the transformation of american theater.
Material type:
TextPublication details: [S.l.] : ROUTLEDGE, 2024.Description: 1 online resourceISBN: - 9781040015971
- 1040015972
- 9781003436591
- 1003436595
- 9781040015940
- 1040015948
- Fichandler, Zelda, 1924-2016
- Women theatrical producers and directors -- United States -- Biography
- Theater -- United States -- History
- Theater -- Production and direction -- United States
- Theater and society -- United States
- PERFORMING ARTS / Theater / Direction & Production
- PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts)
- PERFORMING ARTS / General
- 792.092 B 23/eng/20240221
| Item type | Current library | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|
E-Books
|
National Library of India Online Resource | 792.092 | B (Browse shelf(Opens below)) | Available | EBK000054059 |
This book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage's early years. As Head of New York University's Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became artist-citizens under her guidance, talk about the ways in which she transformed their lives. Theater practitioners who have lived during Zelda Fichandler's time will find this book a fascinating and entertaining read--as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
There are no comments on this title.
