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ROSELLA, OR MODERN OCCURRENCES : by mary charlton.

By: Contributor(s): Material type: TextTextLanguage: English Series: Chawton House library series. Women's novelsPublication details: [Place of publication not identified] : ROUTLEDGE, 2023.Description: 1 online resource (398 pages)ISBN:
  • 9781003175582
  • 1003175589
  • 9781000888843
  • 1000888843
  • 9781000888805
  • 1000888800
Subject(s): DDC classification:
  • 823.6 23/eng/20230517
Online resources: Summary: Mary Charlton's 1799 Rosella, or Modern Occurrences is a fascinating novel that brokers between conservative and feminist ideas, humour and horror, and indulgence in and ridicule of sentimental tropes. Written in imitation of Cervantes's Don Quixote (1615) and Lennox's The Female Quixote (1752), Rosella belongs to a large class of comic works in which female readers and novelists are satirized. This edition not only addresses the gap in knowledge about Charlton's work, but will be of particular interest to scholars working on the Romantic literary market of the 1790s, especially Minerva Press publications. The book engages with many of the themes explored in eighteenth-century and Romantic literature, from women's writing and female education to popular fiction and sensibility. Accompanied by a new introduction by Professor Natalie Neill, this title will be of great interest to students and scholars of literary history.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 823.6 (Browse shelf(Opens below)) Available EBK000050556ENG
Total holds: 0

Mary Charlton's 1799 Rosella, or Modern Occurrences is a fascinating novel that brokers between conservative and feminist ideas, humour and horror, and indulgence in and ridicule of sentimental tropes. Written in imitation of Cervantes's Don Quixote (1615) and Lennox's The Female Quixote (1752), Rosella belongs to a large class of comic works in which female readers and novelists are satirized. This edition not only addresses the gap in knowledge about Charlton's work, but will be of particular interest to scholars working on the Romantic literary market of the 1790s, especially Minerva Press publications. The book engages with many of the themes explored in eighteenth-century and Romantic literature, from women's writing and female education to popular fiction and sensibility. Accompanied by a new introduction by Professor Natalie Neill, this title will be of great interest to students and scholars of literary history.

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