Avant-garde and psychotechnics : science, art and technology in the early Soviet Union / Margarete Vöhringer.
Material type:
TextLanguage: English Series: Publication details: Abingdon, Oxon : Routledge, 2023.Description: 1 online resourceISBN: - 9781003411185
- 1003411185
- 9781000911077
- 1000911071
- 9781000911039
- 1000911039
- Avantgarde und Psychotechnik. English
- Avant-garde (Aesthetics) -- Russia (Federation) -- History -- 20th century
- Art, Russian -- 20th century
- Psychology and art -- Russia (Federation) -- History -- 20th century
- Art and technology -- Russia (Federation) -- History -- 20th century
- ART / History / General
- HISTORY / General
- HISTORY / Europe / Russia & the Former Soviet Union
- 709.47/0904 23/eng/20230227
| Item type | Current library | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|
E-Books
|
National Library of India Online Resource | 709.47/0904 (Browse shelf(Opens below)) | Available | EBK000050235ENG |
Translation of the author's thesis (doctoral)--Humboldt-Universität zu Berlin, 2006, under the title: Avantgarde und Psychotechnik : Wissenschaft, Kunst und Technik der Wahrnehmungsexperimente in der frühen Sowjetunion.
"The book presents a different history of the Russian avant-garde and its cultural encounters with the sciences. It is focusing on the entanglements of architects, filmmakers and philosophers with experimental psychologists and physiologists in the 1920s which are hardly known yet. Famous avant-garde artists like El Lissitzky, Vassily Kandinsky and Dziga Vertov helped propagate a movement in Russia - psychotechnics -, that was actually coming from Germany and America and can be characterized as "psychotechnical boom". At the end of the story told in this book, it becomes clear, that this boom has not finished until today. By analyzing concrete co-operations between artists and scientists and on the basis of not yet published archival material, this book challenges the notion of socialist sciences. At the same time, it gives an entirely new picture of what was thought to be modern art and makes clear, that artistic experimentation had much more than a metaphorical meaning in the arts of the Russian 1920s. In 2007 the book was acknowledged with an award for interdisciplinary research by the Wilhelm-Ostwald-Society, Grossbothen. In 2011 the book received funding by the VolkswagenStiftung to be translated into English and Russian (the Russian edition was published by NLO books in 2019). The book got reviews in NZZ, NTM, Derive, Junge Welt, Sehepunkte"-- Provided by publisher.
There are no comments on this title.
