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The body in sound, music and performance : studies in audio and sonic arts / edited by Linda O'Keeffe and Isabel Nogueira.

Contributor(s): Material type: TextTextLanguage: English Publication details: New York : Focal Press, 2022.Description: 1 online resource (1 volume) : illustrations (black and white)ISBN:
  • 9781003008217
  • 1003008216
  • 9781000620474
  • 1000620476
  • 9781000620405
  • 1000620409
Subject(s): DDC classification:
  • 781.17 23
Online resources: Summary: The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.
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Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 781.17 (Browse shelf(Opens below)) Available EBK000048340ENG
Total holds: 0

The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.

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