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Culture, History, and the Reception of Tennessee Williams in China [electronic resource] / by Shouhua Qi.

By: Material type: TextTextSeries: Chinese Literature and Culture in the WorldPublisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022Edition: 1st ed. 2022Description: X, 198 p. online resourceISBN:
  • 9783031169342
Subject(s): DDC classification:
  • 809.895 23
Online resources:
Contents:
1. Introduction -- 2. Speaking the Unspoken and the Unspeakable: Translating Tennessee Williams -- 3. From Cautious Curiosity to Deep Dive: Interpreting Tennessee Williams -- 4. Becoming Blanche Dubois: Adapting Tennessee Williams for the Chinese Stage -- 5. Conclusion.
Summary: This book is the first comprehensive study of the reception of Tennessee Williams in China, from rejection and/or misgivings to cautious curiosity and to full-throated acceptance, in the context of profound changes in China's socioeconomic and cultural life and mores since the end of the Cultural Revolution. It fills a conspicuous gap in scholarship in the reception of one of the greatest American playwrights and joins book-length studies of Chinese reception of Shakespeare, Ibsen, O'Neill, Brecht, and other important Western playwrights whose works have been eagerly embraced and appropriated and have had catalytic impact on modern Chinese cultural life.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 809.895 (Browse shelf(Opens below)) Available EBK000034148ENG
Total holds: 0

1. Introduction -- 2. Speaking the Unspoken and the Unspeakable: Translating Tennessee Williams -- 3. From Cautious Curiosity to Deep Dive: Interpreting Tennessee Williams -- 4. Becoming Blanche Dubois: Adapting Tennessee Williams for the Chinese Stage -- 5. Conclusion.

This book is the first comprehensive study of the reception of Tennessee Williams in China, from rejection and/or misgivings to cautious curiosity and to full-throated acceptance, in the context of profound changes in China's socioeconomic and cultural life and mores since the end of the Cultural Revolution. It fills a conspicuous gap in scholarship in the reception of one of the greatest American playwrights and joins book-length studies of Chinese reception of Shakespeare, Ibsen, O'Neill, Brecht, and other important Western playwrights whose works have been eagerly embraced and appropriated and have had catalytic impact on modern Chinese cultural life.

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