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Austerity and Irish women's writing and culture, 1980-2020 / edited by Deirdre Flynn and Ciara L. Murphy.

Contributor(s): Material type: TextTextLanguage: English Series: Publication details: Abingdon, Oxon ; New York, NY : Routledge, 2022.Description: 1 online resourceISBN:
  • 9781000588354
  • 9781000588330
  • 1000588335
  • 9781003207474
  • 1003207472
  • 1000588351
Subject(s): DDC classification:
  • 820.9/3553
Online resources:
Contents:
<P>Chapter One: Irish Women's Writing and Culture Under the Shadow of Austerity</P><P><EM>Deirdre Flynn and Ciara L. Murphy</EM></P><P></P><B><P>Section One: Austerity, Feminism, and Conflict</P></B><P></P><P>Chapter Two: Two Opposing Narratives?: The Field Day and LIP Pamphlets</P><P><EM>Laura Loftus</EM></P><P></P><P>Chapter Three: Austerity, Conflict, and Second-Wave Feminism in the North of Ireland.</P><P><EM>Ciara L. Murphy</EM></P><P></P><P>Chapter Four: #WakeUpIrishPoetry: Austerity and Activism in Contemporary Irish Poetry -- A Personal Reflection</P><P><EM>Kathy D'Arcy</EM></P><P></P><B><P>Section Two: Arts and Austerity</P></B><P></P><P>Chapter Five: Kermit, Cows, and Beheaded Chickens: Women's Comedy Monologues After the Tiger</P><P><EM>Clare Keogh</EM></P><P></P><P>Chapter Six: Balancing Acts: From Survival to Sustainability in Contemporary Irish Theatre and Performance</P><P><EM>Miriam Haughton and Maria Tivnan</EM></P><P></P><B><P>Section Three: Race and Austerity</P></B><P></P><P>Chapter Seven: Intersectionality in Contemporary Melodrama: <I>Normal People</I> (McDonald/Abrahamson, 2020) and <I>Kissing Candice </I>(McArdle, 2018)</P><P><EM>Zélie Asava</EM></P><P></P><P>Chapter Eight: Austerity and the Precarity of Whiteness: Polish Characters in Stacey Gregg's <I>Shibboleth</I> (2015) and Rosemary Jenkinson's <I>Here Comes the Night</I> (2016)</P><P><EM>Justine Nakase</EM></P><P></P><P>Chapter Nine: Black Irish Culture</P><P><EM>Sandrine Uwase Ndahiro</EM></P><P></P><B><P>Section Four: Spaces of Austerity</P><P></P></B><P>Chapter Ten: Irish Realism, Affect, and Claire Keegan's Austere Rural Ireland</P><P><EM>Yen-Chi Wu</EM></P><P></P><P>Chapter Eleven: Celtic Tiger Saga Fiction: Patricia Scanlan's City Girls and Marian Keyes' Walsh Family</P><P><EM>Margaret O'Neill</EM></P><P></P><P>Chapter Twelve: 'Just the way it is': portraits of austerity in short fiction by women from the North of Ireland</P><P><EM>Orlaith Darling</EM></P><P>Chapter Thirteen: Motherhood, Referendums and Austerity in contemporary Irish Women's Writing</P><P><EM>Deirdre Flynn</EM></P>
Summary: Austerity and Irish Women's Writing and Culture, 1980-2020 focuses on the under-represented relationship between austerity and Irish women's writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women's writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women's writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women's writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland's consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women's life writing, and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.
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E-Books E-Books National Library of India Online Resource 820.9/3553 (Browse shelf(Opens below)) Available EBK000032340ENG
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Austerity and Irish Women's Writing and Culture, 1980-2020 focuses on the under-represented relationship between austerity and Irish women's writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women's writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women's writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women's writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland's consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women's life writing, and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.

<P>Chapter One: Irish Women's Writing and Culture Under the Shadow of Austerity</P><P><EM>Deirdre Flynn and Ciara L. Murphy</EM></P><P></P><B><P>Section One: Austerity, Feminism, and Conflict</P></B><P></P><P>Chapter Two: Two Opposing Narratives?: The Field Day and LIP Pamphlets</P><P><EM>Laura Loftus</EM></P><P></P><P>Chapter Three: Austerity, Conflict, and Second-Wave Feminism in the North of Ireland.</P><P><EM>Ciara L. Murphy</EM></P><P></P><P>Chapter Four: #WakeUpIrishPoetry: Austerity and Activism in Contemporary Irish Poetry -- A Personal Reflection</P><P><EM>Kathy D'Arcy</EM></P><P></P><B><P>Section Two: Arts and Austerity</P></B><P></P><P>Chapter Five: Kermit, Cows, and Beheaded Chickens: Women's Comedy Monologues After the Tiger</P><P><EM>Clare Keogh</EM></P><P></P><P>Chapter Six: Balancing Acts: From Survival to Sustainability in Contemporary Irish Theatre and Performance</P><P><EM>Miriam Haughton and Maria Tivnan</EM></P><P></P><B><P>Section Three: Race and Austerity</P></B><P></P><P>Chapter Seven: Intersectionality in Contemporary Melodrama: <I>Normal People</I> (McDonald/Abrahamson, 2020) and <I>Kissing Candice </I>(McArdle, 2018)</P><P><EM>Zélie Asava</EM></P><P></P><P>Chapter Eight: Austerity and the Precarity of Whiteness: Polish Characters in Stacey Gregg's <I>Shibboleth</I> (2015) and Rosemary Jenkinson's <I>Here Comes the Night</I> (2016)</P><P><EM>Justine Nakase</EM></P><P></P><P>Chapter Nine: Black Irish Culture</P><P><EM>Sandrine Uwase Ndahiro</EM></P><P></P><B><P>Section Four: Spaces of Austerity</P><P></P></B><P>Chapter Ten: Irish Realism, Affect, and Claire Keegan's Austere Rural Ireland</P><P><EM>Yen-Chi Wu</EM></P><P></P><P>Chapter Eleven: Celtic Tiger Saga Fiction: Patricia Scanlan's City Girls and Marian Keyes' Walsh Family</P><P><EM>Margaret O'Neill</EM></P><P></P><P>Chapter Twelve: 'Just the way it is': portraits of austerity in short fiction by women from the North of Ireland</P><P><EM>Orlaith Darling</EM></P><P>Chapter Thirteen: Motherhood, Referendums and Austerity in contemporary Irish Women's Writing</P><P><EM>Deirdre Flynn</EM></P>

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