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Contemporary American science fiction film / edited by Terence McSweeney and Stuart Joy.

Contributor(s): Material type: TextTextLanguage: English Publication details: Abingdon, Oxon ; New York, NY : Routledge, 2022.Description: 1 online resourceISBN:
  • 9781003189961
  • 1003189962
  • 9781000540635
  • 1000540634
  • 9781000540642
  • 1000540642
Subject(s): DDC classification:
  • 791.43/615
Online resources:
Contents:
Introduction: The fears and fantasies of science fiction film : genre as cultural artefact / Terence McSweeney and Stuart Joy -- A tale as old as time : Steven Spielberg's A.I. Artificial intelligence (2001) / Christine Muller -- Through the lens of 9/11 : reflections of Bush era politics and the post-9/11 milieu in Minority report (2002) and V for Vendetta (2006) / Fran Pheasant Kelly -- Precarious lives, human rights and "the sense of today" : the continuing resonance and relevance of Alfonso Cuarón's Children of men (2006) / Terence McSweeney -- Seeing and touching the bodies of others : evolving the male animal toward secular moral enlightenment in the Planet of the apes reboot franchise / Carol Donelan -- Time travel, trauma and the futility of revenge in Looper (2012) / Stuart Joy -- Science fiction cinema between arthouse and blockbuster : from Stanley Kubrick's 2001 to Christopher Nolan's Interstellar (2014) / Steffen Hantke -- 21st-century Star wars : profiles in (female) courage / Stacey Peebles -- Rationality, emotionality and geopolitics in Arrival (2016) : from structural oppositions and reconciliations to mixed modalities and claims to 'quality' status / Geoff King -- "The world is built on a wall" : deconstructing Blade runner 2049 (2017) / Will Brooker -- Speculative anger and collective economic strength in Boots Riley's Sorry to bother you (2018) / Paul Petrovic -- Coping with the deconstruction of American identity : hybridization and self-destruction in Alex Garland's Annihilation (2018) / Andrew Schopp -- Wakanda forever? On Ryan Coogler's Black Panther (2018) / Gerry Canavan.
Summary: "Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film"-- Provided by publisher.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 791.43/615 (Browse shelf(Opens below)) Available EBK000032299ENG
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Introduction: The fears and fantasies of science fiction film : genre as cultural artefact / Terence McSweeney and Stuart Joy -- A tale as old as time : Steven Spielberg's A.I. Artificial intelligence (2001) / Christine Muller -- Through the lens of 9/11 : reflections of Bush era politics and the post-9/11 milieu in Minority report (2002) and V for Vendetta (2006) / Fran Pheasant Kelly -- Precarious lives, human rights and "the sense of today" : the continuing resonance and relevance of Alfonso Cuarón's Children of men (2006) / Terence McSweeney -- Seeing and touching the bodies of others : evolving the male animal toward secular moral enlightenment in the Planet of the apes reboot franchise / Carol Donelan -- Time travel, trauma and the futility of revenge in Looper (2012) / Stuart Joy -- Science fiction cinema between arthouse and blockbuster : from Stanley Kubrick's 2001 to Christopher Nolan's Interstellar (2014) / Steffen Hantke -- 21st-century Star wars : profiles in (female) courage / Stacey Peebles -- Rationality, emotionality and geopolitics in Arrival (2016) : from structural oppositions and reconciliations to mixed modalities and claims to 'quality' status / Geoff King -- "The world is built on a wall" : deconstructing Blade runner 2049 (2017) / Will Brooker -- Speculative anger and collective economic strength in Boots Riley's Sorry to bother you (2018) / Paul Petrovic -- Coping with the deconstruction of American identity : hybridization and self-destruction in Alex Garland's Annihilation (2018) / Andrew Schopp -- Wakanda forever? On Ryan Coogler's Black Panther (2018) / Gerry Canavan.

"Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film"-- Provided by publisher.

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