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Lynd Ward's wordless novels, 1929-1937 [electronic resource] : visual narrative, cultural politics, homoeroticism / Grant F. Scott.

By: Material type: TextTextLanguage: English Series: Routledge research in American literature and culturePublication details: New York, NY : Routledge, 2022.Description: 1 online resourceISBN:
  • 9781000587951
  • 1000587959
  • 9781003266808
  • 1003266800
  • 9781000588019
  • 1000588017
Subject(s): DDC classification:
  • 769.92
Online resources: Summary: This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group - much like Beethoven's piano sonatas or Keats's great odes - in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward's novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 769.92 (Browse shelf(Opens below)) Available EBK000031875ENG
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This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group - much like Beethoven's piano sonatas or Keats's great odes - in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward's novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.

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