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Protecting the dharma through calligraphy in Tang China : a study of the Ji Wang shengjiao xu / Pietro De Laurentis.

By: Material type: TextTextLanguage: English Series: Publication details: London : Routledge, 2021.Description: 1 online resource (1 volume) : illustrations (black and white)ISBN:
  • 9781003230472
  • 1003230474
  • 9781000488647
  • 1000488640
  • 9781000488586
  • 1000488586
Subject(s): DDC classification:
  • 294.38
Online resources: Summary: This is a study of the earliest and finest collated inscription in the history of Chinese calligraphy, the Ji Wang shengjiao xu (Preface to the Sacred Teaching Scriptures Translated by Xuanzang in Wang Xizhi's Collated Characters), which was erected on January 1, 673. The stele records the two texts written by the Tang emperors Taizong (599-649) and Gaozong (628-683) in honor of the monk Xuanzang (d. 664) and the Buddhist scripture Xin jing (Heart Sutra), collated in the semi-cursive characters of the great master of Chinese calligraphy, Wang Xizhi (303-361). It is thus a Buddhist inscription that combines Buddhist authority, political power, and artistic charm in one single monument. The present book reconstructs the multifaceted context in which the stele was devised, aiming at highlighting the specific role calligraphy played in the propagation and protection of Buddhism in medieval China.
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Item type Current library Call number Materials specified Status Date due Barcode Item holds
E-Books E-Books National Library of India Online Resource 294.38 (Browse shelf(Opens below)) Available EBK000029793ENG
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This is a study of the earliest and finest collated inscription in the history of Chinese calligraphy, the Ji Wang shengjiao xu (Preface to the Sacred Teaching Scriptures Translated by Xuanzang in Wang Xizhi's Collated Characters), which was erected on January 1, 673. The stele records the two texts written by the Tang emperors Taizong (599-649) and Gaozong (628-683) in honor of the monk Xuanzang (d. 664) and the Buddhist scripture Xin jing (Heart Sutra), collated in the semi-cursive characters of the great master of Chinese calligraphy, Wang Xizhi (303-361). It is thus a Buddhist inscription that combines Buddhist authority, political power, and artistic charm in one single monument. The present book reconstructs the multifaceted context in which the stele was devised, aiming at highlighting the specific role calligraphy played in the propagation and protection of Buddhism in medieval China.

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