TY  - BOOK
AU  - Huvenne,Martine
TI  - The Audiovisual Chord: Embodied Listening in Film 
T2  - Palgrave Studies in Sound,
SN  - 9789811948077
U1  - 303.483 23
PY  - 2022///
CY  - Singapore
PB  - Springer Nature Singapore, Imprint: Palgrave Macmillan
KW  - Science-Social aspects
KW  - Motion pictures
KW  - Phenomenology 
KW  - Science and Technology Studies
KW  - Sound Studies
KW  - Film Theory
KW  - Audio-Visual Culture
KW  - Phenomenology
N1  - Introduction -- Part I -- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going." -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion
N2  - This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
UR  - https://doi.org/10.1007/978-981-19-4807-7
ER  -