Huvenne, Martine. <br/><br/>
The Audiovisual Chord  Embodied Listening in Film /  [electronic resource] : 
by Martine Huvenne. 
 - 1st ed. 2022. 
 - XV, 317 p. 9 illus.  online resource. 
 - Palgrave Studies in Sound,  2633-5883 .
 - Palgrave Studies in Sound, .
<br/><br/>Introduction -- Part I -- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going." -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion. 
<br/><br/> This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. . 
<br/><br/><label>ISBN: </label>9789811948077 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Science-Social aspects.<br/>Motion pictures.<br/>Phenomenology .<br/>Science and Technology Studies.<br/>Sound Studies.<br/>Film Theory.<br/>Audio-Visual Culture.<br/>Phenomenology.
<br/><br/><label>Dewey Class. No.: </label>303.483