Buonanno, Lorenzo G. <br/><br/>
The Performance of Sculpture in Renaissance Venice. 

 - First edition. 
 - [Place of publication not identified] :  Routledge,  2022. 
 - 1 online resource (328 pages). 
 - Routledge Research in Art History .
<br/><br/>Introduction 1. Stone Mediators 2. Dreamworlds and Studioli: Sculptures for the Imagination 3. Making and Breaking 4. Signed in Stone 
<br/><br/> This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources⁰́₄the era⁰́₉s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media⁰́₄Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning. It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies. 
<br/><br/><label>ISBN: </label>9780429320613 0429320612 9781000540499 1000540499 9781000540451 1000540456 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Sculpture, Italian--Italy--Venice.<br/>Art, Renaissance--Italy--Venice.<br/>ART / History / Renaissance<br/>ART / Sculpture
<br/><br/><label>Dewey Class. No.: </label>730.945/31